Idlehand.
Not a client. A world we built from scratch: motorcycles, underground music and Montréal's DIY scene, screen-printed into a brand — five years of drops, rides and parties.
A crew
before a brand.
Idlehand wasn't a business plan. It was a culture: the crew we rode with, the bands we went to see, the spots we hung around. We co-founded it to give that whole world a visual signature — a signature for a crew, not a logo for a shelf.
Tees screen-printed with a friend who ran a print shop in the city, graphics built from the moto, music and skate references we actually cared about. Drops, parties and rides anchored at Breakless, my co-founder's motorcycle shop; Paris trade shows, wholesale to France, collaborations — and as much time spent building the community as the product.
"A brand is less about what you print on a shirt than about the people who end up wearing it."
The lesson Idlehand taught first — Montréal
Ink first,
always.
Working documents — raw
Everything started as ink on paper — skulls, choppers, hand-drawn type — then went to screens at the print shop. The flash sheet was the brand system: badges, marks and lockups built like a tattoo wall, years before 'brand world' was a deck slide.
Worn by
the crew.
Final result — real life
PRINT DETAIL — ON COTTON
POCKET CREST
ACTA NON VERBA
BE STREET WEEKND
OUT RIDING — MTL
Sheets
and streets.
Line sheets, rides and the crew






Idlehand is where the studio method was born: build the world first, the product follows. Five years, real drops, real community — learned by doing it, not by theorizing it.
